The origin of Hipster subculture dates back to the 1960s. The hipster in this context does not refer to a style of pants but rather a post-modern culture. Hipsters are distinguished by a trendy clothing, increased sexual expression, listening to a particular kind of music, healthy eating and, in some quarters, by the use of drugs. According to Fieldman, the hipster culture emanated in the 1960s when the young people belonging to the baby boomers generation sought to disarm technology from its perceived destruction. This period coincided with the Vietnam War, the sexual revolution of the 1960s, the civil rights movement, and a strong economy. Building on this, the hipster subculture evolved signified by young people who opposed authority inspired by their opposition to the Vietnam War and who were more sexually explicit. The culture has evolved since then. Fieldman argues that “as the culture evolved through the 1960s into the 1970s and beyond, various elements could be found and adopted by anyone desiring to carry on hipsters culture of idealized modernity” (39).
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According to Gelder, today’s hipster culture is based not on the actual culture but on the notion of itself; on a competition to be the most obscure and the most anti-mainstream. The hipster subculture is therefore borne out of opposition to the mainstream culture. In today’s society, the hipsters are identified by their age (most of them are in their 20s), their attire as most includes skinny jeans, vintage flannel, cotton spandex leggings, and fake eyeglasses. Gelder sees the hipster culture as a symbol of the decadence in the western civilization describing it as “a culture lost in the superficiality of its past and unable to create any new meaning.” He describes it as a youth subculture that mirrors the doomed shallowness of the mainstream society.
Lorentizen asserts that the hipster is a creation of the advertising industry, which constantly manipulates it, and works to continually alter his/her tastes and preferences according to what the marketers want. Hipster is described as less of a subculture but more of a consumer group. They are unique by their taste for anything trendy and party going. They spend long hours on their laptops blogging or getting in touch with their acquaintances through the social media. He describes today’s hipsters as “people who think of themselves as cooler than America.” He asserts that the hipsters of today are more likely to be brokers or lawyers than art-school dropouts meaning they are people who are well endowed with wealth and who can afford upmarket goods and services.
Zilio states that, “the popular use of hipster at South refers to a person with a taste for obscure music and flannel, who almost certainly thinks he/ she is better than you.” Quoting Rhoades, he asserts that being a hipster is not about how one dress, what one listens to or the hairstyle one prefers but rather it is a belief of an individual that he knows better than anyone else. It carries a negative connotation describing a pretentious know-it-all attitude that is deceitful and self-destructive. It suggests somebody with a shallow character who is subject to manipulation by the media and societal trends. In contrast with the hipsters of the past who shaped society, today’s hipsters are controlled by the media and are subject to manipulation.
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Gelder, Ken. Subcultures cultural histories and social practice. New York: Routledge Publishers, 2007. Print. 157-180
The origin of Hipster subculture dates back to the 1960s. The hipster in this context does not refer to a style of pants but rather a post-modern culture. Hipsters are distinguished by a trendy clothing, increased sexual expression, listening to a particular kind of music, healthy eating and, in some quarters, by the use of drugs. I intend to use this book to show the way hipster culture has evolved from the 1960s to the present.
Feldman J., Christine. “We are the mods”: A transnational history of a youth subculture. New York, NY: Peter Lang, 2009. Print. 31-49
According to Gelder, today’s hipster culture is based not on the actual culture but on the notion of itself; on a competition to be the most obscure and the most anti-mainstream. The hipster subculture is therefore borne out of opposition to the mainstream culture. This book will be used to show that hipster is not so much a culture but a lifestyle.
Lorentzen, Christian. “Why the hipster must die.” 2010. Web. 21 Feb. 2012. <http://newyork.timeout.com/things-to-do/this-week-in-new-york/8355/why-the-hipster- must-die>.
Lorentizen asserts that the hipster is a creation of the advertising industry, which constantly manipulates it, and works to continually alter his/her tastes and preferences according to what the marketers want. Hipster is described as less of a subculture but more of a consumer group. They are unique by their taste for anything trendy and party-going. This article will be used to show the effect of corporations on the hipster culture.
Zilio states that, “the popular use of hipster at South refers to a person with a taste for obscure music and flannel, who almost certainly thinks he/ she is better than you.” This article will be used to show the negative effect of the hipster culture.
